Probably New England, ca. 1820 to 1840. Ash or chestnut. Retains what appears to be all original panels glass. First white paint has patinated to a softer "oyster". Joinery of the frame by wooden pegs through extending stiles. Snipe (drawn wire) hinges secure the swinging door (and iron handle), the wire being an early connector when cast iron hinges were expensive or not available. Cut and wrought nails hold the tin dome. The stiles are decorated with carved notches and "lambs tongue", and all edges, inside and out, are molded, not simply squared, an indication of superior craftsmanship and time invested/costliness. Condition: Solid/robust in hand. Lots of patina. Split at the top board. The lower rail on the right side (as one is looking at the door front) is dirtier than others. Tin candle socket is secured by putty, done long ago. Dimensions: 10 7/8 inches tall to the top of the stiles; 11 3/4 to the top of the tin dome; 15 to the top of the bale handle. .
American, most likely Northeastern, dated 1920. Cotton and wool fibers. Composed and made in manner that would seem considerably earlier, possibly suggesting that the date could be a later addendum, this hooked rug has a coveted combination of soft earth tones, "just right" period wear, variegated background, and playful horses. Large petal forms could be interpreted as flowers or possibly snowflakes. Excellent condition with no repairs noted. Museum mounted for easy hanging. About 37 1/2 x 19 1/2 inches. See American Hooked and Sewn Rugs, Folk Art Underfoot, Kopp for reference.
Northeast America, ca. 18th to early 19th century. Fashioned from a mix of woods. Appears to be pine lid and base, open-porous wood staves, hardwood finial, and split-sapling bands. Retains worn original red paint and strong patina. The deeply-carved spiral lid, unique to my experience, fits snugly and by pressure into the staved body, with corresponding wear to the inside of the staves. The carved finial penetrates the lid by means of an integral long peg, which rides a bit loosely into the receiving hole which has expanded slightly over time from wear. The area under the finial has burnishing consistent with wear imparted by the finial. The staved sides slope inward quite significantly from the base to the lid. Early cut nails keep the sapling-straps from riding up, yet I suspect these nails were added a bit later in life to compensate for shrinkage. Small tubs like this were used to carry butter into the fields, yet could have had multiple uses. Stands about 7 inches tall to the top of the finial. Base diameter about 5 1/4 inches sloping to just 3 3/4 at the lid. The finest small early American painted treen that I have had in recent memory.
Northeast America, ca. 2nd half, 19th century. A special example as it retains its first surface of mustard sizing on what appears to be zinc, with molded waist knop on incurved base supporting a "rolled over" rounded top....Earlier than many survivors, this trade sign, with the mortar and pestle representing druggists or apothecaries for centuries, may not have been permanently hung, rather may have been used in at least some of its life in a portable environment, perhaps for a traveling wagon that dispensed medicines. Alternatively, this sign may have represented "grinder", where one could bring material to be ground, such as corn or wheat. The handle on the top allows it to be easily carried, while the patination on the base implies weathering from the ground. Stands about 28 inches to the top of the pestle. Excellent condition with just minor expected period irregularities. Most of this form is repainted or regilded, scarce to find one in strong original surface. May be mounted from underneath if desired.
Believed to be from Newburyport, MA, ca. early 19th century. Folding traveling looking glass with the names FAITH HOYT and ABIGAIL ROBERTS. Likely a hand-made gift from one to the other. Folding mirror is encased within embossed hand-blocked wallpaper, with green and blue and bittersweet coloring. Within the case is a folding mirror, with the mirror glass on the right side, and the two girls/women's names on the left. The back is of green wallpaper. Expected wear, yet good condition considering its age and delicacy. Case closed is about 5 inches long x 3 3/4 tall. Opens to about 10 inches. .
Northeast, possibly New York, ca. 3rd quarter, 19th century. From a long time Maine collection. Oil on academy board, the board bearing the label of W. Devoe and Company, New York. Brilliant bright, saturated colors in a most desirable flat (without shadow) folk art rendering. The white reticulated ceramic compote provides an appealing balance to the contrasting colors and random forms of the fruits. The overflowing quantity of fruit symbolizes abundance and optimism. Excellent condition with just a bit of roughness in the lower right. Set within a bold gilded frame that is likely original and beautifully presents the vibrant work. Frame size about 33 1/2 inches wide x 27 1/2 tall; sight size about 23 1/4 x 17 1/2. This painting would brighten and enliven, and is large enough to carry a signficant wall.
Probably New England. ca. 1800. Appears to be pine. A miniature example with wonderful shrinkage and retaining early green and black paint over the first red wash or sizing, and remnants of an old oyster white in the interior. Very thinly turned, with chamfered rim and raised foot. Tight shrinkage checks in base. Diameter varies from 5 3/16 inches across the grain; 5 7/16 with the grain (1/4 inch shrinkage). Height varies from 1 5/8 inches to 1 15/16. Miniature turned wooden bowls were seldom made after the early 19th century as they were obsoleted by emerging ceramics and pottery, which were cheaper to make. Large wooden bowls continued to be made for many years as their ceramic equivalents would have been too heavy.
Northeast America, ca. 1840. Appears to be pine and poplar. Cut nail joinery, robustly made. Excellent paint. Quite striking original red and black painted squares and rectangles, the red paint, depending on lighting, tending toward bittersweet. Well used as evidenced by the authetic period wear around the thumb hold, indicating frequent usage, perhaps for candles or spices. Nice complement to a gameboard collection. About 10 3/4 inches long x 3 1/2 wide x 3 1/8 tall.