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DESKTOP
LIGHTING STAND
Remarkably Tiny
A Great Rarity!
....SOLD
Northeast, 18th to early 19th century.
Most early lighting stands are floor length, yet this exceedingly rare miniature stand is just seven inches, the smallest I have ever seen.
Designed for personal lighting on a desk or candlestand, or to be hand-held.
The richly patinated base and column are turned from maple, with a bit of burl figure; the double-candle arm appears to be ash. Hand-cut threads permit raising and lowering of the candle-arm, which still fits tightly. The circular base, made by a skilled turner, shows period-appropriate slow-lathe tool marks underneath, rising to decorative ball, and acorn, knops.
Exceptional original condition. About 7 ¼ inches tall, candle arm 4 ½ wide. From a long time Southern collection. For comparison, see related but significantly larger and less design-successful examples in Early Lighting, the Rushlight Club, page 25.
BOLD MINIATURE
PAINTED PROFILE PORTRAIT
Young Lady in Blue Dress
Northeast, ca. 1830.
Watercolor with graphite on wove paper.
The young lady shown in full profile, her hair up in a comb, with high-lace collar covering a blue dress. Initials of likely the sitter (IS) are included in a manner emulating the way pewter and some ceramics in this period were signed.
Superb condition with even toning. The molded frame, about 5 3/8 inches x 4 1/8) in black paint is terrific and likely original. Until recently six decades in a long time Northeast collection.
Singular High-Country Federal Mirror
Original Red Paint
.....sale pending
Imagine the fine early home or meeting house this glass was made for.
New England, possibly Connecticut, ca. 1820. Original very dry red paint on what appears to be pine. With an architectural, symmetrical aesthetic that reflects its Federal design. The glass centers stop-fluted pilasters supporting a beautifully scrolled crest the rides within dados of the side columns. The elements and dimensionality accentuated by the shadows cast.
The original chamfered backboard board retains the iron “points” that hold it in place. A photo of this mirror from an unidentified book is taped to the back.
Very high degree of originality with no cracks or repairs. The original glass is very thin, as mirror glass almost always was in this early period. The glass has losses as shown and a couple of small inconsequential “spiders”, likely in the making.
About 17 ¾ inches wide x 15 tall. .
Outstanding
Painted Gameboard
.....SOLD
Probably Northeast, ca. second half 19th century.
Original dry paint on a single pine board with breadboard ends joined with cut nails. Soft robin’s egg blue ground contrasting bold black stars and dividers which are the essence of the architecture of the game, without further distraction. Very nice back as well, showing highly patinated white or cream-colored paint.
Impressive size of about 32 inches x 20 x 5/8 thick. Terrific condition with superb surface. Flat without warping or cracks. From a private Midwest collection; pictured in situ previously in Antiques and Fine Art, 2013 (photo shown).
A stirring piece. Authentic 19th century antique yet with an equally contemporary presence..
Little Gem
Paint Decorated Box
.....SOLD
New England, ca. 1820-1840.
Elaborate red and mustard-yellow foliate design boldly and dynamically painted onto a black ground. The interior wallpapered. The surface with fine craquelure. Expected period wear and abrasions. Cut nail joinery. Retains original hinges and lock.
Just 8 ¼ inches wide x 4 ¾ deep x 4 tall.
Book-page copies found in the interior indicate two other boxes by the same hand: The “DB” box in the American Folk Art Museum, gifted by Howard and Jean Lipman; and the blue-green-white decorated box, from American Hurrah, pictured in Neat and Tidy by Nina Fletcher Little. .
Beautiful
Paint Decorated
Blanket Chest
Northeast, ca. 1830.
.....SOLD
Original bold paint decoration on white pine. Red ground, the front, sides, and top centered by mustard roundels, most enclosing green pinwheels, the boards edged by stylized mustard hearts and green leaves.
Note the Mason’s symbol just below the key hole!
The case is expertly dovetailed by a skilled cabinet-maker. Extensively glue-blocked underneath. Surfaces show substantial hand-planing tool marks.
The interior has a locking till, cleverly fitted with internal holes to hold pins matching those within a sliding drawer underneath, such the contents of the drawer may not be accessed if the till is locked.
Structural condition is superb. The stout pine boards remain square and straight. Original iron hinges; lock is gone. Chains added to the interior to prevent the lid from falling over backwards. Expert restoration of the under-the-lid molding strips on the front and one side, so well done that one struggles to find them. Paint wear, especially to the top and creases to the wood; minor paint touch-up on one foot.
Smaller size at just 39 ¼ inches at the widest-which is the overhanging lid. Case width 37 ½ inches wide x 20 deep.
Large Bold Presentation
Carved Pie Crimper
.....SOLD
Likely Maine, originally found in an attic in Arundel, Maine.
Hardwood (perhaps birch) and pine in rich, natural patina. Carved in shape and decoratively with pinwheels, geometrics and vining. Deeply carved wheel shrunken well out-of-round and joined to the handle with non-iron pins, perhaps pewter, to prevent rusting. Likely made to be gifted for wedding, birthday, or anniversary.
An impressive 12 ¼ inches long. From a fine long time New England antique and folk art collection.
Rare Ash Burl
Double-Bowl
One of only two known
Northeast, ca. 1760-1780
.....sale pending
Turned from one knot of densely figured ash burl, the upper bowl with an interior lip that extends into the lower to allow them to fit together. Both bowls footed. When flipped the cover can be used as a bowl of equal size to the base.
Unquestionably by the same hand as the example in the renowned Katcher collection, which has been described as an ingenious “American Treen Masterpiece” (more)
Striking Rare Inlaid Cherry Candlestand
Attributed to
NATHAN LUMBARD Worcester County, MA
ca. 1800.
Cherrywood, with serpentine-shaped top of figured cherrywood, with striped-inlaid hearts at the corners and centered by an inlaid pinwheel. The column features a deeply carved spiral fluted urn, supported by a tripod base with distinctive spurred knees.....